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PME Records

Latest Releases

Bruning and I by Dick Patterson with Dale Bruning

Bruning and I

Dick Patterson with Dale Bruning

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Bruning and I
by Dick Patterson with Dale Bruning

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While the date of this recording is not known, it’s likely to have occurred around 1966, after both Patterson and Bruning had begun to establish themselves in the Colorado Jazz Scene. These two amazing artists would play Read more

While the date of this recording is not known, it’s likely to have occurred around 1966, after both Patterson and Bruning had begun to establish themselves in the Colorado Jazz Scene. These two amazing artists would play gig after gig with each other for decades, a friendship that never wavered. The second of these tunes, Morning in Rocinha (Patterson and Bruning) has never been heard on any recording until now. The first tune, Interpreting the Wind (Charles Eakin) has only been heard once, as far as we know, on a Dale Bruning recording from 2006. Charles Eakin, a prolific and gifted Contemporary Jazz composer, was a friend of the two, and collaborations would occur at various points in all their careers. The recording was made in a practice studio at the University of Colorado, an experiment in how to move around and respond to each other’s playing in an informal setting. It was intended as a workshop, but with the passing of time, it is now recognized as a significant statement for both artists.

Jazz in the Springs by Johnny Smith with the Neil Bridge Trio

Jazz in the Springs

Johnny Smith with the Neil Bridge Trio

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Jazz in the Springs
by Johnny Smith with the Neil Bridge Trio

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While the venue of this recording is not yet known, the location is definite - Colorado Springs, Colorado, Johnny Smith’s home city. After the rigors of touring and the perfectionism of recording, it was rare that Johnny Read more

While the venue of this recording is not yet known, the location is definite - Colorado Springs, Colorado, Johnny Smith’s home city. After the rigors of touring and the perfectionism of recording, it was rare that Johnny would have time to play without traveling, except for his gigs with the Air Force Falconaires.

This was a special concert about which very little is known - there are no contemporary newspaper articles near the concert date of December 8th, 1966, either reviewing or advertising the show, yet it was extremely well-attended.

The songlist is familiar with any Johnny Smith fan, particularly One O’Clock Jump, with which he would most often close his shows, as well as Bluesette, Shiny Stockings, and all his other favorites. Of particular interest are the three guitar solo songs, Shenandoah, I’m Old Fashioned, and Golden Earrings, all treated with reverence and respect by an artist who knows what these songs mean, both to him and to his audience.

This version of Girl from Ipanema is a standout, and pay close attention to On Green Dolphin Street! Though the tape was damaged for the intro, the production staff decided to keep the tune on the list anyway, because it truly is a classic.

There is no “hurry” here. No one wants the evening to end. Each tune is different from the way it has ever been played before, resulting in a complete concert experience that we can now share with those who were there.

Click for Dick Patterson's Biography

Recent Releases

The Lost Chicago Tapes by Dick Patterson Trio

The Lost Chicago Tapes

Dick Patterson Trio

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The Lost Chicago Tapes
by Dick Patterson Trio

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The most historically significant release PME has ever undertaken, The Lost Chicago Tapes is a four-album set of fifty classic Jazz tunes. Recorded over several weeks in late 1962 on the North side of Chicago, this Read more

The most historically significant release PME has ever undertaken, The Lost Chicago Tapes is a four-album set of fifty classic Jazz tunes. Recorded over several weeks in late 1962 on the North side of Chicago, this amazing set shows us what the Jazz and Blues scene was really like, firsthand. The recording is mono, and was produced and mastered by Mark Patterson and Craig Patterson of PME, carefully recreating the experience of being in a nightclub, crowd noise and all, listening to three of the most prominent musicians of the era. Available on EVERY streaming system, and available as hi-res download on Bandcamp. Four bonus videos have also been produced, and are available on YouTube!

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The Last Night at Shaner's by Johnny Smith and the Neil Bridge Trio

The Last Night at Shaner's

Johnny Smith and the Neil Bridge Trio

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The Last Night at Shaner's
by Johnny Smith and the Neil Bridge Trio

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"Contains some of the finest Johnny Smith on record. It is easily recommended"
--Scott Yanow, Los Angeles Jazz Scene

This is one of Johnny Smith’s last live performances, recorded on December 18th, 1971, and his final gig Read more

"Contains some of the finest Johnny Smith on record. It is easily recommended"
--Scott Yanow, Los Angeles Jazz Scene

This is one of Johnny Smith’s last live performances, recorded on December 18th, 1971, and his final gig ever at his favorite haunt, Shaner's, in Denver. It was captured on tape by Dick Patterson, bass player for the Neil Bridge Trio, Johnny's go-to live combo. This gig took place right at the time Johnny had decided to hang up his professional playing, feeling that maintaining the level of perfection he demanded of himself had simply become too onerous. He would be more happy, he reasoned, running his music store in Colorado Springs, and being with his family. When asked years later whether he had regretted this decision, he simply said “Not for a second.”

The quartet plays in front of a live audience, but has the fun and sparkle of a casual get-together. The four had been friends for quite some time, and enjoyed playing together more than a typical session. Though there are no second takes here, there is still a sense of experimentation, with endings cued by Johnny and followed by the band, sometimes resulting in chuckles and wrapup riffs that wouldn’t be common in a studio setting. This is truly a fun evening, and the audience knows it.

Join us in welcoming Johnny as he lays down the smoke with the Neil Bridge Trio, featuring Neil on piano, Dick Patterson on bass, and Derryl Goes on drums. It was an unforget- table evening of ballads, uptempo soloing, and a true Masterclass in guitar technique. -Mark and Craig Patterson

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The Live Session by Spike Robinson Quartet

The Live Session

Spike Robinson Quartet

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The Live Session
by Spike Robinson Quartet

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Recorded ca. 1974 by Dick Patterson, likely at The Lost Knight Lounge, Boulder, CO.

In any music, there is elegant balance to be found between the familiar and the surprise. An improvised line, or unexpected turns in an Read more

Recorded ca. 1974 by Dick Patterson, likely at The Lost Knight Lounge, Boulder, CO.

In any music, there is elegant balance to be found between the familiar and the surprise. An improvised line, or unexpected turns in an arrangement, bring a listener the joy of again “discovering” a familiar song.

The interplay of familiarity is plain to hear in Spike Robinson’s working group of the early-mid 1970s. The group were good friends, and, in playing their repertoire a lot together, achieved a certain relaxed freedom of melodicism, interplay, and swing. The surprises of improvisation are strangely easier to find when the setting is comfortable.

Because record companies did not offer Spike the chance to record with this group at the time, our father decided to document what they played live. The setup was familiar: they used the club during off-hours for a quiet setting to record (sometimes you can hear a person working in the background).

The performances were like their sets. Three sets of music were recorded in an afternoon; everything was first takes, with no stopping or editing. The order presented here is just as they played it.

The resulting interplay of the group flows in a way that is difficult to achieve in a recording studio with time pressures. Spike sounds musically at home, wearing comfortable slippers, perhaps at his melodic best. Dale’s musical choices have an ideal and subtle logic; Dick and Derryl’s swing connects magnetically. Most of all, the group speaks in an unburdened voice, from the bebop flow of “Groovin’ High” to the lyricism of “Everything Happens to Me.”.

We hope you enjoy hearing this genuine piece of the “sound of surprise” this well-loved quartet created.

Mark and Craig Patterson

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