Bruning and I
Dick Patterson with Dale Bruning
While the date of this recording is not known, it’s likely to have occurred around 1966, after both Patterson and Bruning had begun to establish themselves in the Colorado Jazz Scene. These two amazing artists would play Read more
While the date of this recording is not known, it’s likely to have occurred around 1966, after both Patterson and Bruning had begun to establish themselves in the Colorado Jazz Scene. These two amazing artists would play gig after gig with each other for decades, a friendship that never wavered. The second of these tunes, Morning in Rocinha (Patterson and Bruning) has never been heard on any recording until now. The first tune, Interpreting the Wind (Charles Eakin) has only been heard once, as far as we know, on a Dale Bruning recording from 2006. Charles Eakin, a prolific and gifted Contemporary Jazz composer, was a friend of the two, and collaborations would occur at various points in all their careers. The recording was made in a practice studio at the University of Colorado, an experiment in how to move around and respond to each other’s playing in an informal setting. It was intended as a workshop, but with the passing of time, it is now recognized as a significant statement for both artists.
